British MPs seldom discuss aesthetics. Policy, economics, foreign affairs. Yet in May 2025, the glow of signage took centre stage. Ms Qureshi, delivered a striking intervention. Her message was uncompromising: hand-bent glass filled with noble gas is artistry. She warned against plastic imitations, real neon signs saying they undermine public trust. If it is not glass and gas, it is not neon. Another Labour voice joined, sharing his own commissioning of neon art in Teesside.

There was broad recognition. Numbers framed the urgency. From hundreds, the number has fallen to a few dozen. No apprentices follow. Without action, Britain could lose neon entirely. Ideas were floated for a protection act, similar to Harris Tweed. Defend the craft. Even the DUP weighed in, bringing a commercial lens. Reports show 7.5% annual growth. His point: this is not nostalgia but business. The final word fell to Chris Bryant. He allowed himself puns, earning heckles.

Yet beneath the levity, he acknowledged the case. He cited neon’s cultural impact: Piccadilly Circus billboards. He emphasised longevity. Where lies the problem? The issue is clarity. Consumers are misled. That erodes trust. A question of honest labelling. If Harris Tweed must be Hebridean, then neon should mean glass and gas. The debate mattered beyond signage. Do we allow heritage skills to disappear? At Smithers, the stance is firm: glass and neon lights for sale gas still matter.

The Commons was illuminated. The protection remains a proposal. But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Skip LED pretenders. Choose neon.

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